How can one be a sight to behold? This time, instead of saying how one should be seen, it is left to a place. There is only one rule: to hide oneself. Now, one will face a barrage of shots. With every turn and movement, it becomes a photograph. An impulsive and moment-focused performance. One must adhere to the main law. It hides among a collage of everything it has, yet it must also be a performer at the focal point of the scene. Now the performer, even if they want to be a confused and disoriented woman among fabrics or curtains, is still a performer of a kind of ritualistic and repetitive gesture that is created in the moment and remains faithful to it. It denies nudity but must be embodied. It keeps itself away from eyes but must allow them to stare. Even when buried disgustingly under a heavy blanket or perceiving itself as a suspended ornament.At this moment, the pose and movement of the performer’s body take on a system and signs that refer to the multifaceted representation of their physical action, which can generalize into metaphorical aspects. What will manifest in the dominant performative gesture will reveal itself through significant fabricated narratives in the feminine realm and display a kind of corporeality. Furthermore, it transforms into a tense, rebellious, and tedious statue, bearing the dual nature of subjectivity and objectivity. In this context, the performer’s body perceives itself as a subject endowed with lived experience and strives to create a symbolic space for making sense of its human challenges through its presence in front of the camera in an isolated and performative atmosphere.The visuals presented in this performance are playful, experience-driven, and improvised exercises for becoming a photograph. It exhibits parrot-like behavior that is self-imposed yet relies on moments to imitate and perform itself.
